Tuesday 12 November 2019

Is it the beginning of the end for the fee paying schools in the UK, or just being able to teach musical instruments in them?


This is a question which I have pondered quite a lot in the last year or so, from the perspective of the visiting music teachers because they are an important part of their income.

Let’s face it the public schools in the UK have survived two world wars and although many went bust there are a number that have survived since the time of Henry VIII, but maybe the Internet is a bigger threat than Nazi Germany! Technology has already managed to dismantle the music industry, and also the world of the newspapers; it is also doing a good job taking on the world of publishing!

I read a little while ago an article by Lorena McKennitt, about the effect that technology had on the music industry with open full-scale piracy being the norm now for public schools. It’s not so much piracy, but the fact that education can be undertaken on the Internet for very little money. Schools have become part of the childminding industry as an unintended consequence for some, they have developed this as a side-line business with breakfast clubs and after school activities.  What would you do with your children when you go to work everyday? If you can have a school activity to put them in that solves the problem.

So what I’ve seen recently is a squeeze on lessons from the point of view of cost, and of time; these are some of the games that are played on the peripatetic music staff.

 The cost of lessons is increased to the parents, but remains fairly consistent to the music teacher. Now I experienced this first hand with one of the fee paying schools that I worked where the rate was only going up (if it did go up) by a percentage point per year , but the parents were paying significantly more each year. The cost reached £50 an hour  of which the music staff were only getting  (with everything included such as pension payments and petrol and supposed holiday pay) £30 an hour maximum. Now the reason behind this I fully understand from a business perspective, because the school suddenly had an unexpected increase in costs from the Church of England. They owned the land that the buildings sat on, took the pepper corn rent thousands of pounds in a year, adding this to costs of government guidelines on child protection and the increase in the employers contribution to the teacher pension fund they were looking for as many soft targets as possible.

Time that staff contribute for free

The other game that is played is when the pupils cannot have lessons, so that could be the whole of the lunchtime, church services and if the school is attached to a cathedral et cetera that becomes even more pronounced. Lessons where the pupil is taken to play sport or there’s a school trip, and often in these cases the teachers are never advised in advance. So like a zero hours contract if you are not teaching, you often are not being paid.

Streamlining timetables 

The so-called streamlining of the school timetable where the lessons have to coordinate to the timetable which will mean there could be up to 10 minutes lost time per lesson; the academic lesson is 40 mins the music lesson is 30minutes which means there is 5 minutes for a pupil to arrive at the beginning and 5 to leave. This results in a significant drop in the income of the peripatetic teacher.

Now I’m not sure whether the streamlining effect is something to do with inspection bodies suggesting better use of time et cetera, and then the school tick boxing by doing this sort of thing. But I feel this all comes from a perspective of desperation on the part of the school administration, because even a successful school with plenty of staff still has to take these jobs to already stretched employees in order to cut costs. 

Often these schools are in old buildings 

Most of these independent schools are in old buildings which brings with them a significant problem of upkeep. This is part of a problem that in some cases they may also be in listed building, which increases the costs considerably.

Who is paying the fess?

So now factor in who are the people paying the fees at these schools, and if these people are also under pressure financially because of problems in the workplace 

You only need to have one highly successful state school in the catchment area of a public school and they are in real trouble because if that school are getting results that exceed the public schools, which they often do, and they are not a grammar school (although the effect of the grammar schools in the Kent is significant) and there is no bullying, and there are no fees it’s a bit of a no-brainer. 

Back in the day being educated in a public school had real kudos the ‘Old School Tie’ effect, and it was an important way of getting into seriously good employment because of the connections that your school offered, but unfortunately that does not exist anymore. For those people reading this in the US that is similar to being able to state that you came from an Ivy League College

So, we will wait to see what will happen! I no longer work within this sector, however many of my friends do and they are already saying that the numbers are dropping off for lessons. We have already  got quite a heady cocktail, so for those of you who are involved in education and teaching in schools it might be advisable to find a few more baskets put your eggs in, just to be safe!



Vic 




Three days of rocking and rolling playing the blues and reggae and jazz and funk, what more could you ask for!?


Thursday 7 November 2019

Heart attack and stroke, music to the rescue


It is close to a year since I had a heart attack and stroke, and what has music done for my recovery? 

At the end of January last year I had a heart attack, two days later a stroke.  Fortunately the heart attack was at home, my wife was there to call an ambulance; the stroke happened while I was still in hospital. This will explain to those of you who follow the blog why there has been a considerable break!

I obviously recovered well from the stroke, and although the lasting effects are quite subtle these are significant because they affect certain elements of my musical memory, and performance capability.

Most of this is to do with multitasking and learning new songs. It definitely takes me longer to process, particularly if I am playing and singing. However, what I want to focus on today is how I have found that learning and playing a musical instrument helped, and ultimately sped up my recovery.

First of all I was able to play, but the way it affected me was I felt very rusty and when it came to reading music it was like reading through a fog! However, by focusing on the small aspects of the task in front of me for example, reading a couple of bars of music very slowly,  I found after a short period of time that facility improved enormously. Likewise with playing, I found that regular short periods of practice enabled me to improve rapidly.

Another area that I found interesting was my cognitive ability particularly when it came to using a computer keyboard; I was affected in such a way that I couldn’t recognise certain letters on the keys. I had to relearn how to spell a number of words, it seemed as if I was reapplying my memory in another place and once this developed, that memory stuck.

So then I started doing some of my private lessons online using FaceTime or Skype I found that multitasking, such as listening to somebody play and watching them whilst typing  on another keyboard and remembering what it was I wanted to say when the person finished playing, speeded up my recovery  and cognitive repair.

I still get very tired when doing mental work, and I have to break my work down into small sections of time. I’ve also reduced the amount of work to only two days of actual physical face-to-face teaching which could last anything up to five or six hours. After that I definitely need to shut down, and I do this by meditating or power napping.

The experience of this has not been all bad, infact I have learnt a lot about certain states such as dyslexia from this experience. It has also given me chance to step back from what I was doing , and evaluate my work. This has led to me starting a  music charity, and focusing on podcasting.

As usual Blues Camp will be running next year,  but we did have to cancel this year. Part of the franchise moved to France, this will be running as part if it next year which is incredibly exciting!

So to sum up I have recovered well and my experience wouldn’t be the same as somebody else who had the same medical condition. However, I truly believe that playing a musical instrument, particularly when it is something you already do, can greatly benefit your recovery. This is because it is using existing memory and learning something new within that framework, which helps the brain’s elasticity. I’m not sure how easy it would have been to have learned an instrument from scratch after having stroke, but I tend to think that reassessing something that is already in the mind even if it is something that you did as a child has real potential, and this is often shown in studies of elderly people with dementia.

So, I will be back next week with another perspective about music! Please check out the podcast either on YouTube or iTunes podcast this is called ‘Creative’, There are a number of interesting interviews including Adele’s guitarist Ben Thomas, and a storyteller called Andreas Kornevall. All of these people have great ideas explaining how they became successful in their fields, and how they use creative thinking.

Remember Blues Camp for next year!  Please visit www.bluescampUK.co.uk for details

Vic